Celtic Braid Inkle

I finally finished this! I often find pick-up and overshot patterns too tedious and still love the act of plain-jane tabby the best...but IT'S SO PRETTY.

I hand dyed the dishcloth cotton that was used for the pattern threads with short colour changes, using those sponge brushes. Then I lined up the colours as best I could on my inkle loom. There is always a little ikat-like push and pull because of the way the string heddles influence the yarn. On a separate note, I've found that if I do horizontal bar pattern using variegated for one stripe and solid for the other I get a comparatively smooth-looking transition. So if you have a pick-up pattern that calls for the horizontal bar structure as a base, variegated can be ultra sharp.

If anyone is curious about my technique for hand painting my cotton for inkles, just buzz me a note and I will set up a little picture tutorial!

I've been busy prepping for a weekend workshop on basic inkle weaving. It's going to be so much fun! I love teaching, and sharing in creativity with other people! I hope one day soon to have a large studio space on an acreage outside the city, where I can host retreats for all kinds of wonderful fiber related adventures. It's been my dream since I graduated from ACAD, and it might be within my reach sooner than I ever imagined!

I hope everyone is having a lovely weekend! Are you celebrating St patty's tonight? If so, please have a green beer or an Irish Car Bomb for me! I'm going to have to settle for some green candies or perhaps do some rolled dough clover cookies! At least the morning sickness is passing! :)

Happy creating!

♥
JQ

Tapestry Update!

Hello Hello!

Here is a shot of the rose tapestry at 138 Hours! You can click on the photos to get a larger view!


I got to wind the warp down a teensy bit further. That's always exciting! But my hips sure are bothering me. I am feeling a little deflated. I just hope I manage to get this one finished before I need to take a few months off and heal. But! Do you see the white area on the upper right hand side of the cartoon? That's totally the background! Eeee!


At this point I have so SO SO many butterflies and bobbins attached to the tapestry I can barely think straight and don't get me started on keeping things untangled. But until I start to close up the top of the rose I will have to keep moving across the entire piece, working up an inch at a time or so of each section. C'est la vie. Pun absolutely intended. :P


I can't wait to start in the center of the rose. The colours will be deeper and there will be some rich burgundy in with all that purple.

"Rest not. Life is sweeping by; go and dare before you die. Something mighty and sublime, leave behind to conquer time."

---Johann Wolfgang von Goethe

I finished weaving the first Celtic knot guitar strap. This one has a home already plus I have 2 more requests!

♥ ♥ ♥ ♥ PINK! ♥ ♥ ♥ ♥

I just threaded this bad girl up this morning. Looking sharp! This one is destined to pair up with a pretty wicked bubblegum pink electric guitar. HOT.

Thanks for popping in! Hope everyone had a nice weekend!
♥
JQ

Adventures in Inkle Weaving

♥ ♥ Greetings fellow fibre junkies! ♥ ♥

First I thought I'd play around with supplemental weft. In the following two bands I have two wefts (horizontal) threads on separate shuttles: one finer and one that has 3 or more threads. I open the shed normally and throw through the fine weft, the, holding the same shed open drop selected warp threads, and shoot the thicker weft through. This allows that weft to pop up to the surface and create a pattern I couldn't make with a basic threading alone.


In this first example my supplementary weft wasn't very thick so the colours beneath shine through, but depending on the angle you see the band at the pattern becomes more or less visible:


In this band the supplemental weft is comprised of 4 strands of navy blue Clea crochet thread. The pattern is much more solid.


The Clea compresses more inside the shed but opens up at the surface because it's so much softer than other crochet threads, so I find it works really nicely for this!


And a shot of the two finished supplemental weft bands next to a plain weave one:




And now for the pick-up patterns! Pick ups are where the pattern is created by a secondary warp (the vertical threads) that can be lifted or dropped to create the pattern. So only one weft was used for this:

♥ ♥ ♥ ♥ Celtic knots! ♥ ♥ ♥ ♥ ♥

I can't get enough of this celtic design. It's sooo cool. And the way the pattern is drafted in combination with the threads lifted and dropped on a normal shed--you really don't have to lift or drop more than 3 or 4 threads on any given row. It's too much fun.


This basket weave structure always reminds me of snakeskin, so I thought I'd try and obtain the effect. I'm not as close as I'd like, but getting there. It did give me a really cool idea for a future band. But I'm not telling!


This purple one was a pattern I designed myself on graph paper, but it involved picking up AND dropping the supplemental threads in every row and it just about made my head explode. This is why there are only about 2 inches woven on it. But I will conquer it:


I was inspired by a project (thank you Anne Dixon) in this Autumn's issue of Hand Woven magazine to weave a pleated necklace on my inkle loom. I used crochet thread for the project because it was what I had on hand, but in hindsight I should have used the size 30 or 50 thread for this, as my final product turned out super chunky. I really didn't beat down the weft either, so the ruffles wound up being bigger. Overall I am pleased with the outcome and hope to try it again soon with finer cotton. My brain is already chewing on some possibilities for integrating the technique into my other jewelry work. this done in a small scale with just one ruffle would make pretty snazzy earrings. Also I am wondering about crocheting lace along the bottom edge (again of a more delicate inkle).


Thanks for taking a peek! Happy weekend!
♥
JQ